Allan Markman was formally trained as a sculptor and painter, with a long career as a graphic designer. All these art forms shape his creative decisions as a fine art photographer. His images always start as an ephemeral small sculpture (between 2 and 12 inches wide at most) that is assembled, photographed and then by necessity dismantled, because the natural materials used begin to decay. During this process Allan is always cognizant that ultimately the image will be viewed in two dimensions — that the eye must be engaged on a flat surface. Composition, color, line, rhythm and texture call upon his skills as a painter and graphic designer. In the end he bathes it all in soft and mysterious light, infusing the photograph with poignant beauty and emotion.
Some time ago Allan was paging through People magazine in his doctor’s waiting room. It struck him that most of the ads were directed towards “older” people. When he shared this impression with the doctor and she replied, “Doesn’t surprise me at all. My teenage daughter and her friends don’t do paper.” He was taken aback — Don’t do paper!? So much was revealed in that casual statement. Could it be that there is a whole generation that does not read books? Do they only absorb digital content through their assorted devices?
This series is Allan's homage to “doing paper”, that is, reading and treasuring books—particularly old books. Their texture, off white color, fragility, typography and even their smell can somehow impart infinitely more than mere content.
In a metaphorical post apocalyptic dream scape our hero travels through a flooded world on an improbable makeshift raft. These travels provide a glimpse of a dystopian society where something has gone horribly wrong.
People have adapted in unexpected ways — cars are now ritualistically pushed into the river; apartments completely submerged under the water still have their lights on. Are they airtight and do people still live there somehow? A young girl is still transfixed by her cell phone. The elites enjoy their pleasures on protected high ground.
• University fine art degree with a concentration on ceramic sculpture and painting.
• Formerly the Art Director of the Graphic Design Department at the United Nations in New York
• Now devotes himself full time to fine art photography.
• Author/designer of the book of photographs- Door Jams: Amazing Doors of New York City
• Group show of United Nations poster designs - Carriage House Center for Arts, New York.
• Member of Soho Photo Gallery Cooperative
• Lives in New York with his family.
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• Group show "Capturing the Light" — PhotoPlace Gallery, Middlebury Vermont, 2018
• "From the Ground Up" solo exhibition - Soho Photo Gallery, NY, September 2017
• Finalist in the 2016 and 2017 Critical Mass Photo Competitions
• First Place in the Proify Annual International Photography Awards 2016 — Macro Category
• Finalist in the 12th National Photography Competition and Exhibition, December/January 2016 - FotoFoto Gallery, Huntington, NY.
• Group show Sohn Fine Art Gallery - May/June 2016
• Group show -Vanitas- Sohn Fine Art Gallery - August/September 2016
These beautifully arranged, lit and photographed still-lifes of tiny found objects are sublime! There is so much to look at and discover, so much awe and beauty in these tiny overlooked objects. There is an 'Alice in Wonderland' sensibility to this for me.. not just because of the scale, but the surreal imagery: With a nod to such a traditional art genre, at first glance these photos feel 'familiar' but as I look closer, I am seeing 'unfamiliar' objects in such a setting. Yet, as I look again, I realize they are in fact very familiar objects...just ones I never really looked at before. -Hava Gurevich — Artist, reviewer, gallerist